Posts tagged psych pop.

Laser Background // Laser Background EP

James Batsford is a really cool guy. He runs the London-based label Stroll On Records and I got to know him through a few releases that he did with Acid Glasses. Since then James has kept me up to date with everything the label has done (and has even sent me some cool stuff in the mail, too). His most recent release comes from Philadelphia native Andy Moholt’s weirdo pop project Laser Background. The self-titled EP contains five tracks of brilliant and somewhat paranoid psych pop. In many ways it reminds me of the weird transitional phase that pop music went through as it moved from the 1970’s to the 1980’s.

The best description for what’s going on here comes from Andy himself. As he puts it:

“The Concept Of Laser Background Centers Around Childhood. The EP’s Artwork Is In Fact A Picture From My Second Grade School Photo. A Lot Of The Ideas Laser Background Tries To Invoke Focus On How Confusing And Crazy And In A Lot Of Ways How Psychedelic It Feels To Be A Child Trying To Make Sense Of A Fucking Crazy Adult World.”

The EP is limited to and edition of 100 cassettes, so make sure you grab one from the label’s store if you dig it!

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06/29/12 at 03:20pm via SoundCloud / Laser Background

 

 

Title: Gold Artist: Low Praises 360 plays

Low Praises // Waste the Night

It’s a bit shameful that I’ve waited a few weeks to share this album, but I’m rectifying that now. Here is Waste the Night, the debut album from Low Praises. This dynamic duo consists of Jimmy Spice (Liquid Skulls, Poppy Red) and Neil Lord (Future Museums, Niall) and showcases the wonderful byproducts that result from mashing these two creative brains together. Featuring album art by Nicolas Nadeau (Single Lash), Waste the Night is an opus of glistening pop psychedelia that’s as bright as the colors that grace the cover.

Bringing everything in their respective arsenals to the table, it’s as if Jimmy and Neil spread everything out in front of them and said, “Okay what can we make with this?” From there they started stacking elements to create new structures. Some swirling synth tones here, some shimmering guitar lines there, and a healthy dollop of warbling vocals right in the middle. The resulting album is a work of varying temperatures and depths. Feel free to wade around in it, but I would recommend diving in headfirst and swimming around for a while.

 


05/23/12 at 03:25pm